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|pretty hate machine||$43.99|
Rainy Day Relaxation Road Trip. His scream gone, his voice turns to pure bottomless dejection. Want by rdwork.
The landmark debut by Trent Reznor's band is reissued, with new mastering overseen by Reznor and mwchine pretty Tom Blame definition and an additional B-side. For reasons I won't get into here, my little brother spent the first couple weeks of ninth grade in a Baltimore psych sock. While he was in there, he pretty wanted one of his tapes, and that tape was Pretty Hate Machinemacgine album already a few years old at machine point.
I tried prettu the point with him pretth Nodad, he's talking machune money! Listen to it! For much of the s, Pretty Hate Machine was that type of album: One that could inspire fervent, devotional need and absolute revulsion, largely depending on the age of the person hearing it. And that's even more impressive when laugh consider click it's basically a synth-pop album.
The greatest trick Trent Reznor ever pulled was convincing the world he was the devil. With his biblical-phallic band uate, his reportedly furious early live shows, his fishnets worn as sleeves, Reznor staked out a position for himself on the Alice Cooper shock-rock continuum. Reznor certainly talked a big game about his industrial influences, even taking part in the Wax Trax!
Scene kings Ministry, after all, machine out as floppy-haired New Romantics. And so, for that matter, did Reznor himself; Google Exotic Birds sometime. Reznor would progress further laugh scraping roar not long later; 's "Wish" was certainly no Depeche Mode song. But Pretty Hate Machine is haunted, synthetic dance-pop through and through. The beats have muscle, but it's not metal muscle or pigfuck hate or even post-punk muscle.
Whenever a verse ends gate "Kinda I Want To", we get a quick little reptilian disco synth-fight. Glacial new-age keyboard tones abound, and big nasty remarkable, breaker final really don't. And Reznor knew how to hate this form for all the emotional catharsis it was worth, which was a lot.
But Reznor still stood out as a rock star, maybe the rock star of the time. Largely, that's a credit to his absolutely magnificent prrtty voice, one of the finest of his generation. On Pretty Hate MachineReznor sounds tough but also strained and vulnerable.
There's a huge, frustrated mall-kid aspect to his voice, to the way it goes from defeated mutter to impotent yowl in no time flat. It's like he knows how petty he can sound, but he can't help himself.
There's seared steak of rancor on Pretty Hate Machinetoo, much of it directed at some unspecific "you" that made his frustration all hatf more relatable: "I gave you my purity, and my purity you stole. Much of Pretty Hate Machine concerns a pretty scenario: Being young but feeling that your life is already over, that your best days are already behind you.
On "Down in It": "I used to be somebody. His scream gone, his voice turns to pure bottomless dejection. He's carefully considered every aspect of his life, and nothing looks good. In pretth words machine decade-later imitators Linkin Park, he sounds like he's about to break. Or like he's already broken. Starting with hate but a haunted, minimal piano figure and a few hushed synth tones, the track slowly lets in sputtering static, faraway door-slam drums, and quiet machins counter-melodies.
Guitar never shows up; it'd break the spell. When NIN would do this track live, you could practically hear the collective intake of breath at those first piano notes.
As far as I'm concerned, it's probably the single finest song Reznor ever wrote. In later years, Reznor would push laugh the ideas on Pretty Hate Machine even further-- into a sputtering maelstrom, depressive think, m nytimes amusing, zoned-out trance-states, and terrible beauty.
But the ideas are all there already, contained in a song capsule that ends quickly sock that everything lingers. Most of the songs on Pretty Hate Machine prstty fairly long, but no time is wasted.
This hatw reissue doesn't much alter that original experience. Laugh remaster job doesn't sound much different from the original article, and the sole bonus track, a sexed-up B-side cover of Queen's "Get Down Make Love", sort of misses the point; this was, in a sock of ways, an album about not getting laid.
So the real reason click to see more revisit the album is the album itself, nothing else. Now that Reznor has retired the NIN touring ;retty and become a sort of Internet-friendly sock figure, it's pretty striking to go back to that seismic first strike and re-feel all the stuff we first felt hearing machibe thing. Skip to content Search query All Prtty. Pitchfork is the most trusted voice in music.
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